By Michael West
The Montreal Congress of Black Writers was among the first, if not the first, international Black Power gathering, attracting some of the most notable Black Power and related personalities from North America, the Caribbean, and the Caribbean diaspora in Britain.

Bukka Rennie
The Sir George Williams blowup came hard on the heels of the Congress of Black Writers, and the two were closely related. Some of the organizers of the congress, along with many who attended it, were among the leading actors in the blowup at Sir George, which resulted in the destruction of the university’s Computer Centre. In an era of rebellion on university campuses worldwide, the incident at Sir George was among the most dramatic, and certainly the most destructive in terms of material damage.
The events in Canada had immediate and far-reaching consequences in the Caribbean, nowhere more so than in Trinidad. Students on the St. Augustine campus quickly mobilised to demand the release of the Caribbean students, many of them from Trinidad, who were arrested by the Canadian police after the Sir George blowup. From St. Augustine, the demonstrations spilled out into the streets of Port of Spain and other towns, eventually becoming a popular uprising against the whole post-colonial dispensation in Trinidad and Tobago. The government of Eric Williams, who had ridden a wave of anti-colonial agitation to power in 1956 before leading the country to independence in 1962, teetered on the brink. Williams’ underlings reportedly had a plane on standby, ready to whisk him out of the country. In desperation, Williams played his last card: he declared a state of emergency, placed the whole population under lockdown, and jailed the leaders of the uprising.
He also called out the army to help the police enforce the emergency. But then a group of soldiers, influenced by the Black Power ideology of the popular uprising, rebelled against the government. The powers of the Atlantic world, the great along with the not so great ones, rapidly mobilized to defend the Williams regime. American, British and Venezuelan naval and air forces menacingly appeared in and over Trinidad territorial waters, while other Caribbean governments readied soldiers to intervene. In the face of the gathering international armada, and with the streets now quiet and the voices of Black Power still, the rebellious soldiers surrendered.
Williams, who initially made his political reputation partly on the strength of his opposition to the American military base at Chaguaramas, had survived the greatest challenge to be mounted against an Anglophone Caribbean government in this era.
Bukka Rennie, who was a student at Sir George Williams University (1967-1970), literally had a front-row seat on two of the central events that helped to form the backdrop to the uprising in Trinidad, having participated in the Congress of Black Writers and, more centrally, in the blowup at Sir George Williams University (now Concordia University), which he attended.
West: Can we begin with the Congress of Black Writers?
Rennie: Yes, that was in October ’68.
West: That’s correct. Were you part of the planning?
Rennie: Yeah. I went to Montreal in September ’67. I was still like a freshwater guy on campus finding my way around and what not. But very early, when I landed on campus at Sir George, there were one or two issues I immediately got involved with. The thing that eventually exploded in ’69 was an issue with a professor called Perry Anderson, who seemed to have had a particular kind of relationship with black students. A number of them who were in his lectures were writing letters about this guy, and about the problems they were having with him, and asking that he be removed. So I met that going on.
West: So in 1967 the charge against Perry Anderson was already an issue?
Rennie: Yeah, yeah, yeah. It was already building up at the time.
Johnson: Which Perry Anderson is this? [Johnson has in mind the New Left historian Perry Anderson]
West: No, no, no. That’s a different Perry Anderson. This was a biology lecturer.
Rennie: This was a biology lecturer at Sir George at the time. So that was one of the things I remember when I landed in ’67; they told me is if you come to do pre-med, don’t sign up for any lectures from Perry Anderson. I was told that, I mean, within the second day that I was on campus.
West: By other West Indian students?
Rennie: By other West Indians—by older West Indian students. My reaction was, well, why? What is happening with this guy? They say, well, this guy is a racist and he has this thing with black students. I say, “what all yuh doing ’bout it?” [Laughter] My reaction was always oriented in such a way that if there is a problem you deal with it. You don’t just sit down and hope that it will go away. I was never like that. At the same time, a number of guys came across from London into Montreal. There was a wave of migration that was taking place when I landed in Montreal, for some reason. I don’t know what was happening in London at the time; at least, I guess maybe the economy was probably in some difficulty.
Goddard: Enoch Powell. [Powell was an MP who became notorious for opposing the immigration of black and brown people to Britain]
Rennie: And the Enoch Powell campaign; he wanted to keep British culture white, and a lot of Black People were trying to get out of Britain. So a number of guys came from London to Montreal.
West: Who are some of these people?
Rennie: Guys like Raymond Watts. Wally Look-Lai, I think, was one of those who came across and was studying on the campus. Yes, Walton Look-Lai came from London too.
West: Was he in Montreal?
Rennie: Yes, he was in Montreal just around that time.
West: Who else?
Rennie: A number of other guys whose names I can’t recall right now, but these were guys who were basically working-class, had a working-class orientation, used to hang around the Students Council in London and listen to the African ideologues arguing and debating colonial issues. So they came across. The Black Writers Congress was an idea, was the baby of Raymond Watts. He was the one who was saying, “Look man, you know what we should do in Montreal, we should organize a conference.” And he effectively sold the idea.
And he got together with a number of Haitian professionals. A lot of Haitian professionals, doctors and lawyers, were in Montreal. Coming from a francophone situation, you will find that there is a tendency for a lot of the professionals from Haiti to make their way to Montreal because of the French connection. You know, they speak the language. They were the ones, together with Raymond Watts and Walton Look-Lai, that formed a committee and started to organise this Black Writers Congress.
They wrote to a number of the leading lights throughout North America, the Caribbean and Europe, and almost everybody they contacted did, in fact, come. I think Alvin Poussaint was one of the guys who did not come [Poussaint did, in fact, go.] Two guys, I think one from Cuba and one from Haiti, didn’t come.
West: Réne Dépestre, the Haitian poet.
Rennie: Yes, Réne Dépestre. And C.L.R. [James] handled their topics at the drop of a hat. But that was CLR! I remember the contingent that came from London was Michael X and Darcus Howe….
… There were two people, I think, that had the biggest impact at that congress, but I will address that later. Now, my role was to deal with the foreign press.
West: Foreign press meaning what?
Rennie: Well, all the foreign press reporters coming in. I helped with the accreditation.
West: Meaning they’re not Canadian?
Rennie: Yes. The foreign press that were coming from around the world: Der Speigel and all these news agencies. This little black guy sitting down dealing with all these guys. I remember some of them looking at me and when I asked certain questions and tried to get certain verification, whether they had done certain things — because we had a procedure — a lot of them were offended. Well, you know, I remember the guy from Der Speigel in particular, the German guy, was really, really upset at being put through the ringer of the procedure by this little nigger from Trinidad. But I had fun with that, I must say. I had my own little office overlooking the auditorium where most of the lectures were delivered, so I had a sort of a real nice view of the thing. I could see and hear perfectly all that was happening, and judge all the reactions and what not.
West: I want to ask you to finish a thought you started. You said there were two persons who had the most impact.
Rennie: Stokely Carmichael and Walter Rodney.
West: How so?
Rennie: Well, in the sense that Walter chaired a number of very touchy situations, and the finesse with which that fella was able to calm situations was amazing. I mean, I talking ’bout situations where people were almost up to blows, and Walter will very coolly assimilate all that was being said, put it in a perspective and in a context that could, you know, get everybody to sit down and say, okay, let’s go again. He was a master. I mean, I had never seen anybody with such ability. Stokely—the power of oratory. Stokely used some techniques of oratory at that conference that were new to me. I had never heard him live before. This was my first time hearing him, and there was a Trinidadianness about him. If you’ve been around Trinidadians you’d know: there is a style—there is a way in which we, as we say, gambage. You see that with carnival, how we play mas, we talk about “playing mas”. It’s an attitude. It’s psychological. You play yuhself.
West: But why Trinidadian? Stokely left Trinidad at the age of 11.
Rennie: [Laughing] Yeah, but that is a Trini thing. When a Trinidadian say, “wha’ you playing?” You know, meaning where is that attitude coming from? That is what they mean, when you say “wha’ you playing?”. It is a particular cultural spirit. Well, Stokely played himself on that platform. I mean, I remember him talking about “the heart has a mind of its own.” In other words, that emotionalism and passion have a lot to do with how far we take this struggle. It’s not only a question of being intellectual and reasonable. Of course, he had gotten a note from C.L.R James saying that you need to seat your lectures in a more historical context that would give them more depth and more rationality. Something to that effect; I don’t remember the exact words. He was in a way kind of responding to C.L.R’s quest to be more intellectual in approach to communicating. So he came up with this thing about Pascal [Blaise Pascal – French philosopher and physicist]. Pascal says the heart has a mind of its own. In fact, he started his speech with that, which was brilliant. He dealt with that, seating his whole speech, predicating it on the fact that we must be passionate. He made a statement coming down to the end where he said, “we must get guns, get guns, get guns, get guns.” And he kept repeating that, like an alliteration, to end off that sentence. It was a technique that he used regularly throughout his speech and it worked well at the time because people went crazy applauding. Of course, the next day that was the front line of the Montreal Star: “Get guns, get guns, get guns”—which was just a minor part of the speech. But the point is the way in which he did this, the rhythm and intonation.
Lloyd Best got up at one point. And again that is where Rodney—again I tell you how good Rodney was. It was a point where the situation again was getting kinda dicey, and the chair was indicating, well listen, people must come and ask questions. People seem to be getting up and making long statements. I mean, if you have a question to ask the person who has just delivered a lecture, ask a question, and try and keep your question short. The man who was in line right after that pronouncement was made was Lloyd Best. When he was handed the mike, he said, “I have no intention to be short. I have a statement to make.” [Loud laughter] And he started: “It seems to me that people are prepared here to divide the world into Cowboys and Indians.” [Uproarious laughter] Oh, my God. In other words, there is no analysis here.
Johnson: So Walter was in the chair?
Rennie: Yes, Walter was in the chair, and Walter had to deal with that, because at that point people were screaming. People wanted to—I remember some young Haitians wanting to dig out Best’s eyes.
Johnson: What was the Cowboy and Indian reference to?
Rennie: Cowboys and Indians- that there is no analysis. You want to divide the world into—you know, you’re demonizing people. It is either white people are all devils or black people are all good. That kind of thinking.
West: Who was Best referring to specifically?
Rennie: Well, he was talking about what was taking place generally at the time in the conference. I think at that point Darcus and Michael X and all of them had been talking just before. At the same time, there was a demand for a Black Caucus; there was a demand to put white people out. [Laughter] There was a set of guys outside who were anti-CLR, talking about CLR is a revisionist, that CLR is a Trotskyite, never mind CLR had broken with Trotskyism since 1948. They were Maoist types, Hardial Baines and his crew, a well-known Pakistani radical based in London, who turned up everywhere spouting his uncompromising rhetoric.
Goddard: It was hot!
Rennie: Heated times. At every turn, something different and shocking was happening. What I’m saying is that if it weren’t for Rodney, that Congress would probably have ended up in total chaos.
West: What was the reaction to Best’s intervention?
Rennie: Well, the reaction was hostility, total hostility. People kept shouting him down and shouting him down, and Rodney did in fact eventually cool the crowd and allowed him ten minutes to voice his opinion, and his view of the world. We knew Best. His New World Group enjoyed a sizeable following in Montreal - people like Kari Levit, Edwin Carrington and so on.
The other thing that was interesting is that Darcus and they came with this story. Darcus spoke about the West Indies Federation or the mash up of the Federation [which lasted from 1958-1962]. He talked about how he was a member of an institution that was born in Trinidad that outlasted the Federation. He was talking about Renegades—Renegades Steel Band. [Laughter]
Goddard: So it had a touch of everything?
Rennie: A touch of everything. But I must say it did have an impact. I saw white people in the audience cry long tears. I saw at the end of the day people hugging them, and sat with them and consoled them. A lot of the whites were being told, well listen, why you want to work among us? The work is also needed in your community. Why you always want to come where it’s easy and not where it’s difficult and tough? So we did, in fact, work out a sort of common programme in terms of where we were—where the struggle was at, and how we were to open up the students’ struggle. Basically, this was a campus-oriented thing that was having an over-spill into the communities. As a result of that, we were able to start a lot of programmes in the black community in Montreal. When we went there, for instance, on campus in Sir George there were only one or two black Canadians. I mean, everybody else was from somewhere, either Africa, from the Caribbean—mostly from the Caribbean.
West: Do you recall who the black Canadians were?
Rennie: Paris—a girl by the name of Paris. What Paris was she, boy? Glenda Paris—and the other one was Lynn Bynoe. … They were born Canadians. Out of the programme we ran in the black community, we did a survey that indicated that most of the young Black Canadian kids in Montreal then would leave high school and they would either go into Eaton’s or Morgan’s, working in those big distribution stores, or they ended up on the streets, either as pimps or prostitutes. We were able to salvage some of them and get them into college. In fact, I went back to Montreal just this year, after 40 years, and I had a very pleasurable hang out with some of them who now have their Master’s and are now educators in their own right. So that was really a sort of a satisfying thing for me. We started a newspaper in the community called Uhuru that I edited before I came back home.
West: So these were for community people, like the domestics and so forth?
Rennie: Yeah, yeah. Not so much the domestics. I am talking about young Black Canadian kids who were then in high school and thinking about what to do with their lives. We were able to run classes for them—tutorials. Remember, when we were arrested after Sir George and we came out of jail, we had time to do that.
West: Let me ask you about two others in respect of the organization of the Congress of Black Writers: one is Alfie Roberts and the other is Rosie Douglas.
Rennie: Okay. Rosie had a role, yes. Rosie played the role in getting McGill University [located near to Sir George] to give the auditoriums for the conference. Rosie was key in that. Raymond Watts tactically made Rosie chairman of the Congress Committee. Alfie was a different case. CLR started coming and delivering lectures throughout the circuit, what we call the North American circuit, around ’66, ’67, ’68. CLR was doing a lot of that: going around to all the campuses.
West: So you got there in ’67 and there were complaints about Professor Anderson?
Rennie: Yes.
West: But things didn’t come to a head until ’68, when a complaint was filed.
Rennie: The whole thing blew up largely because of the attitude of the administration. They took the position that they will do nothing about it; that we were just some fly-by-night little guys from the islands who wanted to cause trouble. They didn’t want to investigate the matter seriously, or look at it as though it was a serious complaint. The thing just kept building up and building up and boiling up and boiling up, until the people decided to occupy the Computer Centre and get this thing on the road—to get this inquiry on the road.
West: What impact did the Congress of Black Writers have on events at Sir George?
Rennie: Oh, yeah, boy, of course. That was ’68. I mean, everybody became hyper after the congress. Martin Luther King got killed in what year, ’68?
West: April ’68.
Rennie: April ’68. That was another major event that had a great impact on the activists in Montreal. That was before the congress. The Martin Luther King march in Montreal was a big thing—big thing. I remember distinctly, myself and Cheddi Jagan’s son were in that march after King got killed with a picture of Malcolm X—one huge poster of Malcolm X.
West: Where did you march to? Where did you march from?
Rennie: We marched from downtown Montreal to a cemetery in Montreal. I can’t remember which cemetery it was. But in that cemetery there is a cenotaph dedicated to all those who fell in the war, and we went and put this big poster of Malcolm X on that cenotaph. That caused a big stink on all the call-in programmes on the radio. They were demanding that these two young hooligans from the Caribbean be sent back for desecrating the cenotaph.
Goddard: Wasn’t that the year of the Olympics?
Rennie: Yes. When those boys—when the two brothers in Mexico put up their hands. [At the 1968 Olympics in Mexico City, which began the same week that the Congress of Black Writers ended, two African Americans, Tommie Smith and John Carlos, placed first and third respectively in the men’s 200 meters. Then, on the victory stand, they defiantly raised their fists in the Black Power salute to protest racism in the USA.] In fact, that guy who was their coach, Harry Edwards, was at the conference—at the Black Writers Congress. He talked about the whole psychology of sports. So that is another interesting point- that Harry Edwards was at the Congress of Black Writers….. So you could understand then that the tempo in Montreal was building, and the Black Writers Congress just put the finishing touches on it. With that we moved straight into ’69. But this is October you’re talking about, and by February ’69 the thing blew up. Something that was there all along simmering just blew up two, three months after the Black Writers Congress.
West: Can you talk about the leadership and organization of the Sir George Williams situation?
Rennie: There was one leader, a guy by the name of Kelvin Robinson. We used to call him Akintola Shaka. He had taken that name, “he who brings the light.” Akintola means he who brings the light, and Shaka was a renowned fighter.
West: Kelvin Robinson was the man?
Rennie: Kelvin Robinson was the man. I will relate you a little experience that I had, and you will understand what I’m talking about. When I went up there to Montreal in ’67, Rap Brown was in jail. He went on a fast. He wasn’t eating. Kelvin Robinson decided we must march on the U.S. Embassy and demand the release of Rap Brown. So we started to make placards, because in those days if Kevin Robinson say we marching on the U.S. Embassy, we marching.
West: Were you going to Ottawa?
Rennie: No, no, no; the consulate in Montreal. He had ten people. I remember Guy—Ato Boldon’s father was in that. Hugo Ford, myself, Shaka, Leroi Butcher whom we called Luanga Basheri then. Incidentally, I was known then as Odinga.
Johnson: Where is Shaka from?
Rennie: Shaka was from San Fernando. He died about three or four years ago. He had a kind of air about him.
Johnson: You mean Kelvin Robinson?
Rennie: Yes.
Goddard: Charisma?
Rennie: Well, it’s more than charisma. There was a certain seriousness. There are some people you know you can’t fool around with. Now, I have never seen him do anything physical, but there was something about that fella that nobody would think about harassing him or getting on his wrong side. He never had to do anything because he had that kind of thing that people just used to stand in awe of him. I remember we were in this little room that they had given to the West Indian student body on campus. It was the smallest room. We were the biggest contingent on campus. The winter carnival that used to meet just a couple times a year had the biggest and carpeted office. We just had this little cubbyhole. We were in there and we were making up placards to go on this march on the U.S. Consulate to demand the release of Rap Brown. Whilst we making up this thing, this big guy walked in. This is the first time I am going to see this guy. I didn’t know who he was. He just walked in, and he started questioning Robinson. He say, “all you inform the press that all you having this march?” You do this, you do that? Kelvin say, “No, no, no. We ain’t get round to that, but Rosie, if you want to do it, go ahead and do it.”
West: So this is Rosie?
Rennie: Rosie Douglas [later Prime Minister of Dominica]. This is first time I met him.
West: And he is asking about the press?
Rennie: He is asking about the press. So Kelvin tell him, okay, you go ahead, nah, Rosie, and do that. I am there. Kelvin left. All the other guys left, and I am there making up posters. I am a little small-fry now come in the thing, so that is my work. [Laughter] I paying my dues. You understand? This guy is on the telephone. He called Montreal Star. He called all the press, and I could hear when they ask him, well, who is speaking? “Rosie Douglas, Rosie Douglas, Rosie Douglas.” He called the Seventh Precinct, that is the police. When they ask him who he is, he say he is Kelvin Robinson. [Uproarious laughter]
West: That sound like Rosie.
Johnson: Yes, that sound like Rosie.
Rennie: At that point, I looked up and I say, oh! I say, “so that is wha’ you do?” He say, “so what?” I say, “well, let me tell you something, I don’t know you, but my name is Bukka Rennie. I am around here now. And you see you, have nothing to do with me, and stay far from me.” I threaten him!
West: You took an instant dislike to him?
Rennie: Not only took a dislike to him, I threaten him one time, and I had cause to beat him up in his bed later on down the road, but that is a next story. But it all stemmed from that. I never told Shaka what Rosie did then. I told other people years after about that, but I didn’t tell Shaka. We went to the march on the consulate, boy, just about the 10 or 11 of us; and I never forgot how these photographers came and took everybody’s picture individually.
Goddard: That is to go on file.
Rennie: So all through the Black Writers Congress, Rosie and I stayed far from each other.
Johnson: Rosie was on that march?
Rennie: Yes, he was on that march. But that was before. That was sometime in ’68.
West: By the march you mean the King march?
Johnson: No, no, the Rap Brown march.
Rennie: Yes, yes, Rosie came, he came, he was there. I was just relating that little story to show you the kind of person Kelvin was; the kind of person Rosie was and why, although some people who don’t know will assume Rosie was the leader, Rosie wasn’t the leader of the Sir George matter. The leader of the thing was Kelvin Robinson. Poor fella, you know, he had an insight. He wasn’t that ideologically strong. In fact, that was his problem. He never moved beyond the black/white context. He always used to tell me; “Bukka, this Marxist thing you talking,” [Laughter] every time I try to engage him with a bigger view of the world. And we always argued about the Indian population in T&T; he could never put the race and class issues in proper perspective. For him it was racial solidarity first, and everything and everybody else second. I used to say, “Shaka, come on! These people are citizens of Trinidad and Tobago and they are entitled just as you or me.”
But you see again, there was a kind of role played by some Indians from the Caribbean on the Sir George campus that infuriated Shaka and others. All through that Sir George struggle there was this small group of Indians from Guyana and Trinidad who did everything possible to distance themselves from us. They were supportive of the Sir George administration and voiced the opinion that we were not to be taken seriously; that we were criticising white people in Canada for racism but did the same thing to them back in Trinidad and Guyana. It was kinda galling to have anyone associate us with the atrocities that occurred in Guyana, for instance.
Goddard: But Bukka, what they were saying is true too, you know. If we go back—if we go back. We talking about the Indians in them early days. They were the lowest of the low, you know. We used to really treat them terribly.
Rennie: Of course. But you have to put that in the context of the whole colonial development and how they were used against the black working class and vice-versa. And despite all of that—despite all that the colonial masters did, at every stage there was unity at the grassroots level, whenever there was a need for it. You understand? In passive times you will find all kind of divisive actions, but the moment action begins….
Goddard: Against the colonials?
Rennie: Against the colonials.
Goddard: Indians and Africans got together. That’s correct.
Rennie: Of course! I mean, history is replete with that. And me, having taught history in Trinidad — West Indian history — before I went up to Sir George, I am having this colleague who I regard as my leader….
Goddard: Bring this racist talk?
Rennie: Yes, bringing that to me. I say, boy, you need to open your eyes. So we always had that ongoing argument.
West: So you were a schoolteacher before you went up to Canada?
Rennie: Yeah, yeah, yeah. I was a schoolteacher and a customs officer. I gave Kelvin the respect as the leader of that struggle. He started it; he initiated it. I remember he used to be on the Sir George campus, on the mezzanine. He would take the bull horn. There was a department called Instructional Media. We would go and borrow a bull horn—I and him. He always called me, “Bukka, let’s go for a bull horn.” The moment we walked in, all the white people in the department used to run out. [Laughter] So he would just choose the best bull horn. Kelvin Robinson used to have a regular, everyday lunchtime meeting on the mezzanine where he addressed all the students on campus about the problems we were having. That was when he was at his best. Of course, the usual engineering white student will pass and say, “Why all yuh don’t go back to the Caribbean?”
The mezzanine was like a kind of home away from home for us. We used to be on the mezzanine, and you would always have someone like Guy Boldon, what you would call a typical sh*t-talker in Trinidad, having everybody just rolling with laughter. So people used to be amazed. One minute they’ll be passing by the mezzanine, and we’re all gathered there, and the next thing you know we rolling all on the floor, laughing at somebody. The next minute a serious meeting is going on with the bull horn and the atmosphere is entirely different. So that duplicity used to have the Canadians quite confused. They say, “Look at them, one minute they’re so jolly and laughing and the next minute they’re so angry.” [Laughter]
Guy was the kind of fella who would come on campus and go to no class—just stand up on the mezzanine for the entire day and talk sh*t, pounding them smaller island fellas, as he used to call them. “Look all yuh. You from Union Island [part of St. Vincent and the Grenadines]. I went dey. I stand up, I pee right round the island.” [Laughter] He say when you go to those small islands, you cyah drive more than 15 miles per hour, otherwise, you run into the sea. And all that kind of stupidness.
West: I thought only the Jamaicans talked like that. [Laughter]
Rennie: No, no, no. Guy heckled everybody.
—Continues next month